MONSTERS OF THE COSMOS

princewenyuan
princewenyuan:

facepalm.gif

princewenyuan:

facepalm.gif

litahalford

litahalford:

it infuriates me when people tell me “lifes too short to not forgive people!” like NO lifes too short for me to continually allow abusive and manipulative behavior in my life and live in a constant state of anxiety bc I want to be “nice” or whatever

(via marissavoir)

sbs.com.au

redphilistine:

Palestinians — young and old — celebrate an indefinite ceasefire in Gaza. 26 August 2014.

(via owning-my-truth)

arabellesicardi

arabellesicardi:

Here is a side by side comparison of how The New York Times has profiled Michael Brown — an 18 year old black boy gunned down by police — and how they profiled Ted Bundy, one of the most prolific serial killers of all time. 

Source for Brown, Source for Bundy.

(via peaceshannon)

antisocialonsocialnetworks:

The myth that white racists are the minority of white people is a pervasive and deadly myth indeed.

(via babblelena)

nikolasdraperivey

wondygirl:

nikolasdraperivey:

CINEMATIC MILES MORALES COSPLAY

Yo! My name is Nikolas A. Draper-Ivey…This is cosplay as Cinematic Miles Morales: The Ultimate Spider Man. This suit was made by 
Jesse Covington ( Writer and Costume Designer) and sewn by Sasha Williams ( Fashion Major graduate). Photos were taken by Pierre BL Brevard I specifically would like to thank Marvel Comics Artist Sara Pichelli for designing this character. I’m also very excited to see Olivier Coipel's work on Spider-Verse!

(Full shoot will be shot in New York itself just in time for NYCC)

These are all beautiful, and some of them look like they could be Alex Ross paintings, love love love these.

(via princewenyuan)

salliemaybach
White people’s number one freedom in the United States of America is the freedom to be totally ignorant about those who are other than white. We don’t have to learn about those who are other than white. And our number two freedom is the freedom to deny that we’re ignorant.

Jane Elliott, “The Angry Eye” (via salliemaybach)

(via way-harsh-tai)

maarnayeri

http://ethiopienne.com/post/95795019633/maarnayeri-let-us-be-vividly-clear-about-this

maarnayeri:

Let us be vividly clear about this.

What the New York Times did to Michael Brown today was not merely slander. It wasn’t a case of a lack of journalistic integrity.

Highlighting that a black teenager was “no angel” on the day he is being laid to rest after being hunted and…

jhameia

Truancy | Delinquent's Spice

medievalpoc:

shwetanarayan:

jhameia:

opalinkwell:

medievalpoc:

DS is proud to announce a brand new venue for fiction based off one or more fairytale revision. Truancy, as the name suggests, allows for less conventional folk and fairytale retellings. Perhaps “retellings” is too specific a word. I want ambitious short fiction pieces, I want people to consider not just unusual folk or fairytales to retell. I want them to create their own fairytales.

This is guided by the same ethos as Delinquent’s Spice. I want stories from the planet that aren’t hegemonic or caught up with imperialism. I realise there’s a dearth of such venues and we need new venues for short stories that build off folklore and fairytale. The difference is that Truancy stories won’t be connected by prompts, and this allows me to give writers more freedom.

Here are the general guidelines:

1. Short fiction, between 2000-3500 words would be ideal but the hard limit is 4000 words. Payment is a flat rate of USD10 per story.
2. Prose poems, stream-of-consciousness and experimental prose are all welcome in this venue. It’s called Truancy for a reason, you know? Here you get to play.
3. There may occasionally be themed issues and guest editors in the future. When this happens, specific sets of guidelines will be released.
4. The emphasis remains on marginalised voices that are strong, bold, playful and experimental.
a.I want WoC/PoC/QUILTBAG writers. This is also a disability-friendly venue. I want lesser represented, non-Anglophone cultures. I will be happy with non-neurotypical/neurodiverse characters/writers. Non-binary writers are also most welcome.
b. Although the stories accepted in this venue should be primarily written in English, I also accept Englishes, and excerpts and dialogues in other languages, so long as the meaning is self-explanatory (this is important because we don’t want your story to be clogged up with an overload of exposition. That will obscure the story AND your voice).
c. I want stories that shine with dialect, with pidgin, with improvision, with beat, and meter. Let’s shake things up here, let’s be truant, let’s start a fairytale riot.Let’s get rid of that misconception that fairytales and folktales are for the twee, and that they’re no longer relevant. We need them for every age.
4. Do read the general guidelines for Delinquent Spice in regards to inclusiveness, diversity and appropriation. They apply to Truancy as well. This is very important. Do not give me stories that demonise any minority, displays racism, ableism, misogyny and stereotypes.
5. While I use the Aarne-Thompson-Uther (ATU) specifications for Volume One of Delinquent’s Spice, they are by no means the be-all and end-all for folk and fairytales (the systems-obsessed nerd in me does like the elegant simplicity of the categories, but that’s par for the course).
a. Therefore, do look deeper into the treasures of your respective cultures to find these stories. They may exist in children’s books or in a different language. Urban legends are fine too.
b. Do let me know in your cover letter about the fairytale or tale-type you’re referencing. If there’s no available translation in English, just give me the gist of the story! If you’re making it up as you go along but messing around with fairytale/folktale tropes, do let me know as well.
6. Please read the general guidelines here for very essential requirements for both DS pubs. The submissions email address is there too with formatting instructions!

Reblogging for my readers who write!

As much as I’d love to promote this, $10 for 2500 words is $0.004 per word, roughly $2 per page.  Five pages of work that could take you anywhere from two to five hours.  That is extremely below even the federal minimum wage. 

Writers, your work is worth so much more than this.  Just as artists deserve to be paid a fair wage for their work, so do we writers. 

I see WAY too much of this, and things like this, where writers are expected to work for free, for “exposure”, or for the absolute bare minimum.  People want to make a living off of their hard work.  Stop acting like writing is easy and cheap.

FYI, the WOC publisher/editor is doing this completely out of her own private pocket, without any eye to profit-making. 

It would be so nice if we could all start zines with enough capital to pay our authors a competitive, professional rate at all times. Especially zines that are specifically for queer writers of colour. 

Signal boost! And, bolding mine.

Yes, I agree, authors deserve payment for work. But yes, also, that’s often a HUGE barrier that stops marginalized people from editing fiction. (And seriously even the pro markets don’t pay us anything like minimum wage, why does that particular measure only come out when the editor is a WOC, I wonder?)

So, yeah, this is not a pro-paying market, it’s still a worthwhile market for many of us. 

^^^

con-or-bust

Reminder: request assistance today

con-or-bust:

New Post by Kate Nepveu at http://con-or-bust.org/2014/08/reminder-request-assistance-today/ :

Reminder: request assistance today

Through today, Con or Bust is currently accepting requests for assistance to attend upcoming SFF cons from fans of color/non-white fans over the Request Assistance page. Requests must be timestamped on or before 11:59 p.m. Eastern, today, August 25, 2014. (I devoutly hope to not be awake to turn the form off.) Please spread the word!

mudras
browngirldecolonized:

mudras:

so cute (me 80% of the time)

Truly! :)

browngirldecolonized:

mudras:

so cute (me 80% of the time)

Truly! :)

captainstormwind

captainstormwind:

the truth is out there.

(via wyeasttokaala)

stuffwhitepeopleask

stuffwhitepeopleask:

If White People Were Described Like People Of Color In Literature

(via airred)

iwriteaboutfeminism

iwriteaboutfeminism:

Saturday in Ferguson. Aug. 23rd. 

(via owning-my-truth)

thedeathcats

White people get so angry at the phrase, “You cannot be racist towards white people.”

I will never understand why.

Why are you so angry that you are being treated as actual human beings? You are not reduced to caricatures, but portrayed as characters. You are treated fairly, judged not by your skin tone, but by the ways that you carry yourselves, by your actions.

Why do you want to experience racism so badly? It is not fun to be mocked, dehumanized, attacked, killed, incarcerated simply for daring to exist. It is not fun to know nothing of your history or family because it was torn apart, whether through distance or death. It is not fun to hear, at every turn, comments reminding you of your lesser status as humans.

Do you really want to turn on the tv, open a magazine, watch a movie, play a video game, and not see yourself? Or, even better, to only see yourself as a criminal, as a drunk, a mocking stereotype, or as someone to be killed off? Or would you rather see fleshed out, well-written characters with lives and personalities and feelings? I know which I’d rather pick.

If I were a white person, the phrase, “You cannot be racist towards white people,” would be the best thing I could ever hear.

i finally put some thoughts into words // thedeathcats (via taint3ed)

(via owning-my-truth)